1,100
watts of light Charles Dee Mitchell Special Contributor to The Dallas Morning News Through Sept 8: David Szafranski pulls
off two not inconsiderable feats for an artist in his
mid-20s. He manages to be cynical without being flip,
and he invokes a childhood spent in the '60s without
being coy.
On the political and sexual themes that
run through his current show at N No. 0 Gallery, 1907
Marilla, Szafranski has nothing to offer in the way of
good news. An American flag, immersed in a jar of
bleach, is slowly fading to white. (Last week it was at
the light blue and orange stage.) In his prints and
collages, Szafranski juxtaposes textbook illustrations
of sexual anatomy with cutaway illustrations of
plumbing. One nude male is diagrammatically presented
with insets that show the wonders of his insides. From
his brain comes an inane, sexy cartoon; in his stomach
is the gaping, skeletal head of a bird; and, heavy
industrial chains compose his legs. Szafranski places many of his images
against a background composed of unfired strips of
ammunition used in cap guns. This would seem to place
the work in the realm of pre-adolescent fantasy, but it
also suggests that the subject matter is literally
explosive. Szafranski's references to plumbing and his
use of shiny, galvanized gutter segments for frames
succeeds in keeping the discussion on a mildly
unpleasant, excretory level. At times, Szafranski is blunt in his
directions, but at other times his approach is so
oblique the pieces remain indecipherable. The Cause of Skirts
is an elegant contructions of guttering, mattress
ticking, fluorescent lights and a small jalousie window.
I had the piece explained to me in detail, and I still
don't get it. The best piece in the show is also the
least "topically" oriented. Specification Grade Device extrudes
from a single socket on the wall into a coiling mass of
1,100 watt bulbs. The cheery glow and radiant heat given
off by its 1,100 watts of electricity cannot dispel its
vaguely cancerous appearance. |